Formed from the poetic marrow of creative intercourse, OTEP is more than a band. OTEP is an Art Movement, a Revolution; Breaking ground. Breaking rules. Breaking barriers. Articulate. Aggressive. Pure […]
CIRCUS MAXIMUS will release their highly anticipated fourth album,Havoc on March 18, 2016 via Frontiers Music SRL. Today, the band releases a new lyric video for the title track “Havoc”. […]
Frontiers Music Srl will release the new PRIMAL FEAR studio album Rulebreaker in North America on January 29, 2016! Rulebreaker is available as CD, deluxe CD/DVD (featuring two bonus tracks), and […]
Crowbar worshippers through and through Lord Dying are some wonderfully messed up dudes. Understanding their music and tattoos took some searching, but in the end it paid off. Interview By […]
UK rockers Turbowolf are pleased to embark on their first North American Tour this fall. The band will serve as one of the support acts on the Rock Leg of […]
Approximately a year ago, Atreyu, one of the most pivotal and definitive bands of the American hard rock and heavy metal scene that dominated the ’00s, emerged from a period of self-imposed […]
KORPIKLAANI are set to release their new album Noita, May 5th in North America via Nuclear Blast. Jan Yrlund, of Darkgrove Design, created the artwork. Yrlund has created all the KORPIKLAANI artwork […]
Since forming in 2006, CITY OF SHIPS has consistently impressed audiences with their distinctive brand of heavy, down-tuned melodic rock. Their third full-length, Ultraluminal, finds the band building sonic skyscrapers […]
This album is loaded with unanswered questions. Is the song “Creature of Desire” about freedom and motorbikes, or repressed sexual urges? Will Visigoth release the best “Necropolis” cover of 2015? I know I spout a lot of crap in my reviews but trust me when I say that we’ve got just about the full monty from the debut album of these Salt Lake City-based bandits.
Just when your faith in the underground was a pile of burnt-out coal in your little sister’s Christmas stocking, Edmonton’s high-octane rockers pours some kerosene on the sparks by releasing their meanest album to date. I like this album more than 2012’s Armed to the Teeth, which was not as toothy as the robotic-dinosaur cover art implied. It’s kinda different.
Vandala Magazine 